The growing Aadam Jacobs Collection is an internet treasure trove for music lovers, especially for fans of indie and punk rock during the 1980s through the early 2000s.
Many colleges and universities have made cuts in these programs, often bolstering STEM programs at their expense. It's a situation that has sparked no small amount of impassioned editorials. The headline of a recent article at The Guardian by Alice Speri referenced an 'existential crisis at U.S. universities,' and Speri's reporting features numerous examples of undergraduate and graduate programs facing cuts or outright elimination.
You know that song from 1987? The one you haven't heard in years? Start playing it right now and I bet you'll nail every word, every pause, every dramatic key change. Meanwhile, you're standing in front of your open refrigerator wondering if you already ate lunch today. This isn't just you being forgetful or having selective memory. There's actually fascinating psychology behind why your brain holds onto those old Backstreet Boys lyrics like precious gems while treating yesterday's breakfast like trash to be deleted.
Just before winter break, news broke that the University of North Carolina at Chapel Hill plans to close its centers for African, Asian, European, Middle Eastern, Latin American and Slavic, Eurasian and East European studies. Though UNC administrators said in a statement that decisions on closures are not finalized, they confirmed they are evaluating centers and institutes as part of a budget-cutting effort in response to state and federal funding changes.
I've just given a keynote presentation at Lines of Flight: Improvisation, Hope and Refuge, a conference hosted by the International Institute for Critical Studies in Improvisation. I'd been invited to talk about my performance research with Dálava, a cross-genre project that is influenced by animist, Slavic cosmology and a land-based folk song tradition that has been in my family for generations.