"When I see this, I'm thinking hallelujah. It's the first real indicator that the VA is willing to step up and get that chapel restored, which frankly I think is their responsibility."
The financial accounts kept by the fabrique for Girona Cathedral provide exceptionally detailed records, allowing historians to calculate the total number of workers and the average employed per year.
We have reached a point where the reserves of Cologne Cathedral will be depleted in the foreseeable future. The cathedral has experienced six consecutive years of losses since 2019, prompting the chapter to implement entrance fees to cover increasing costs of operating, maintaining and securing the facility.
No one will ever mistake this for a tilt-up building in an industrial park. This is the Mormon temple being built adjacent to Interstate 5 on San Diego's affluent northern edge. After all, how many San Diego buildings have a multiterraced design, 190-foot twin spires and a 14-foot-tall gold leaf statue of the angel Moroni atop one of the spires facing eastward and blowing his prophetic trumpet? Try none.
The most arresting is a dramatic circular void carved into the ceiling, a spatial echo of St Paul's dome, translated from the sacred to the everyday. Below it, a monolithic espresso counter holds the room together, its weight and material language borrowed from Tate Modern's industrial character and the infrastructural logic of the riverbanks themselves.
Playwright Rachel Bonds's new production narrates a woman's journey through school, romance, and the complexities of modern adulthood (Wed through April 19, $55+, Logan Circle).
"The object of the Museum is to acquire power," announces a crusty old archaeologist in Penelope Fitzgerald's 1977 satire, The Golden Child. It isn't a goal he respects. He wants the museum where he's settled into semiretirement to genuinely devote itself to educating its visitors. Instead, he correctly charges, its curators act like a pack of Gollums, hoarding "the art and treasures of the earth" for their own self-aggrandizement and pleasure.
Wendy, a project manager from New Jersey, and Michael, a vice president of a communications consulting firm from Philadelphia, met on Hinge, where for the first (and last) time in her life, Wendy messaged him first. Sparks immediately flew over drinks at Echo Park in Shaw for their first date one Tuesday night. Three years later, Michael proposed one snowy morning while the pair were vacationing in Park City.
Oak Lawn United Methodist Church in Dallas received formal approval from the city's Landmark Commission last week after officials, members, and volunteers painted the Late Gothic Revival building's staircase the colors of the rainbow in October. The building has local landmark status, and it's listed on the National Register of Historic Places.
"It was interrupted by a thing called the Civil War, and so it never got built," Trump said aboard Air Force One as he flew to Florida last weekend. "Then, they almost built something in 1902, but it never happened."
Standing in the Bispebjerg district of Copenhagen, Grundtvigs Kirke, one of the most singular works of 20th-century ecclesiastical architecture, is the protagonist of David Altrath's latest photography series. Designed by Peder Vilhelm Jensen-Klint and completed in 1940, the church translates the vertical ambition of Gothic architecture into an austere expressionist language built entirely from yellow Danish brick. Structure, surface, and ornament collapse into a single architectural system, where material discipline replaces decoration.
Unrivaled in scale, this nearly 18,000-square-foot manor is a masterclass in architectural precision. The exterior's brick and granite facade is defined by four regal balconies featuring exquisite limestone and granite architectural balusters. Inside, the home is a showcase of custom interior detailing, featuring extensive shadowboxes, art niches, and intricate tray ceilings. Vertical proportions are equally impressive: the main level boasts 20-foot ceilings in the living and family rooms, with 10-foot ceilings throughout the rest of the floor.
Last year at Grace Cathedral's Carnivale, I found the plastic baby in the King Cake. Tradition dictates this brings good luck. In reality, it kicked off a spectacularly chaotic year where we were outbid on a house by a single minute, and then my daily professional life capsized. So, walking back into the cathedral this Friday night, now holding the keys to my first San Francisco home and owning The Bold Italic, felt less like attending a party and more like crossing a finish line.
With a ring of massive columns and seating for more than 70,000 people, President Donald Trump may be getting the football stadium of his dreams. Renderings have just been released of the proposed design for a new stadium for the Washington Commanders NFL team, and the aesthetic is right in line with an architectural style the Trump administration has been championing with increasing passion.
Catch up quick: President Trump created the White House Faith Office by executive order on Feb. 7, 2025, placing it within the Domestic Policy Council and moving it into the White House complex. The move was designed to signal a "direct line" between people of faith and the executive branch. Unlike the versions under prior administrations, which were often situated in agencies or outside the immediate West Wing orbit, this office is central to Trump's "religious freedom" agenda.
February's event celebrates the Australian Indigenous art exhibit " The Stars We Do Not See," which features about 200 pieces of Aboriginal and Torres Strait Islander art, in the exhibit's North American debut. In keeping with the theme, the Roof Terrace will be open so you can enjoy the star-studded sky. Attendees will also get the chance to try out fiber-making and listen to a didgeridoo.
As the United States prepares to celebrate its 250th birthday amid attacks on civil liberties and marginalized communities, museums and galleries in the nation's capital are opening exhibitions that question what it means to be an American.The National Gallery of Art presents 115 works in Dear America while other shows focus on individual artists such as Mary Cassatt and Nick Cave, all in the pursuit of exploring "Americanism" as a facet of education, expression, and aesthetics.