London politics
fromwww.theguardian.com
4 hours agoLondon has fallen to crime and feral youth? Rubbish | Letters
Young people's presence is often misinterpreted as a threat, leading to moral panic and calls for control rather than understanding.
Art UK has taken it as its mission to digitally unite one million artworks from 3,500 institutions. This free-to-all portal connects everyone with the UK's public art collections.
The Museum of Youth Culture is set to open in Camden, featuring a collection of 100,000 items that document Britain's hidden teen history, from rockers' leather jackets to modern school leavers' hoodies.
The artwork, called We Move Through Scales of Blue, will comprise four photographic pieces installed alongside the escalators at both stations. As people go up and down, the images appear to shift and change.
A UK High Court judge ruled on 4 March that there is an "arguable case" for the court order, which was filed by McPartlin and Donnelly in August 2025. It centres on a relationship between the duo and an unidentified art consultant, only referred to in the filing as 'X'. The anonymous party handled the pair's purchase of six Banksy prints for a combined £550,000 from the art dealer, Andrew Lilley.
The Exchange is a community hub powered by North Paddington Foodbank who are the UK's first and only cash-first foodbank. Instead of offering food parcels, the foodbank gives out cash and vouchers instead, creating real routes out of crisis. This in turn helps foodbanks evolve into hubs of culture, care and community.
Art on the Underground was launched in 2000, with site-specific works exploring themes of community, space and place. David Gentleman's 'Cross for Queen Eleanor', for example, is synonymous with Charing Cross, while Eric Aumonier's sculpture 'The Archer' looks imperiously over East Finchley station, linking the site to its historic surroundings as an ancient hunting area.
I started this campaign to make sure that the story of Iryna does not disappear. Her murder is at the nexus of many issues plaguing American society. For example, one is the progressive approach to crime," said.
This part of London sits just outside the historic City walls, so it attracted traders who wanted to avoid the strict rules binding City merchants. The land was later acquired by Thomas Wentworth, 1st Earl of Cleveland, who developed it, hence the main road being named Wentworth Street. If you're wondering about Ann's Place, that was probably after his wife, Anne Hopton.
A man has been arrested after a statue of Sir Winston Churchill in the centre of London was vandalised with pro-Palestine graffiti. Free Palestine, Zionist war criminal, and Globalise the infitada were sprayed in red paint on the bronze sculpture in Parliament Square, Westminster. The words: Never again is now and Stop the genocide were also painted on the monument.
Fiona Twycross, the heritage minister, is to be congratulated for finally giving London's Southbank Centre Grade II listing (Campaigners welcome long overdue' listing of brutalist Southbank Centre, 10 February). I remember being shocked when I first saw it in the 1960s, but it has become a remarkable symbol of the zeitgeist. Its grey concrete and its childlike composition together express the fatalism and despair of a nation in economic and political decline.
A bench in Bristol installed facing a brick wall has aroused local curiosity why put it there? BBC West commented that it joined other perversely placed seating: a bench in Shirehampton facing a derelict building and one in Wedmore facing a hedge. Bristol city council explained that when it plants a planned tree, the bench will provide a shady spot to rest on a steep hill, but promised to review the placement.
mennell's work smears the personal and political across their body. The Thames performance is the finale of a project called (para)site, made in response to revelations of sewage discharge in our waterways and a reaction to the way benefit claimants are labelled a drain on society. OK, mennell thought, I'm going to be the parasite.
In the story of art history-the art and artists, movements and trends-a select number of galleries have played a defining role in the evolution and trajectory of art itself. Among them, the Mayor Gallery in London is surely one, as it has maintained a position fostering and promoting some of the most significant developments in art for an astounding 100 years.