#opera-directing

#opera-directing

Wagner's reputation can be both a headache and an irresistible challenge to opera directors. Though opera usually demands strict fidelity to the music as it was written, there is traditionally more leeway in staging decisions.

Rigoletto's librettist, Francesco Maria Piave, replaced the king with the Duke of Mantua, who is just as morally bankrupt as the original. The opera premiered in 1851 in Venice and has been a popular production to roll out with both name recognition and one of those golden tunes that almost everybody has heard: La donna e mobile, which becomes haunting in the context of the actual plot.

The piece is steeped in Schopenhauer's meditations on the futility of worldly striving and the necessity of accepting oblivion. It is also infused with Wagner's paganistic worship of desire and his matchless ability to translate longing into perpetually unresolved musical phrases.

I don't want to be working in ballet, or opera, or things where it's like, 'Hey, keep this thing alive, even though like no one cares about this anymore.' All respect to all the ballet and opera people out there. I just lost 14 cents in viewership. I just took shots for no reason.

In Siegfried, the third part of Der Ring des Nibelungen, Richard Wagner shifts the focus away from the troubled world of the gods towards the energy of youth on earth. This is storytelling through opera, where the theatre is crucial and the music sublime.

So another word about tickets. They did finally announce single-game tickets were going on sale, but only for games though June. It's not enough to keep season plans limited to those requiring fans to buy more tickets than they can use, feeding the secondary markets which the Mets also get a cut of, but "make-your-own-plan" fans like me who've reliably occupied seats for decades,

Andre de Ridder is either brave or stupid. He has accepted the role as the music director of English National Opera its chief conductor and keeper of its musical flame. He will take up the role formally in 2027. The post has been empty for several anguished years, sparked by Arts Council England's 2022 announcement that the company would lose all its funding unless it moved out of London.