#oscar-nominated-short-film

#oscar-nominated-short-film

In early 1991, the composer Alan Menken took a keyboard to St Vincent's hospital in New York to visit his friend and creative partner, the lyricist Howard Ashman. Ashman was in the final stages of Aids-related illness, but was determined to finish his work on Disney's Aladdin.

Faces of Death follows a pathologist trying to understand what happens when we die, subjecting himself and the viewer to a series of 'snuff' films depicting violent deaths.

Hoppers is a surprisingly blunt pushback to the notion of animals living together in harmony. Its advertising promises goofy hijinks amid an enclave of diverse species whose ecosystem is threatened by humans.

LORNE, an unprecedented, behind-the-scenes glimpse at the man who built an inimitable empire of comedy, shaping television and culture for generations.

They called me about a year ago and asked if I would like to be an executive producer, which meant basically put my name on it and help promote it. It was a no-brainer, just given my passion for the issue. And then after watching the film, I was just blown away by how beautiful it was and poignant it was. It was an easy decision.

"Cinematic Immunity" offers a workers'-eye view of Hollywood on the Hudson, revealing the intricate dynamics of filmmaking in New York City from 1954 to 9/11.

In all the dystopian visions of the future that the movies have trotted out over the last few decades, the one that sticks the most, surprisingly, is WALL-E. That's not just because of the chastening sight of an over-polluted Earth or those sedentary humans glued to their screens. It's because those quite plausible possibilities mean something different in a kids movie. It's their future, after all.

In a big studio-backed awards season, it's rare to see much overlap between the Film Independent Spirit Awards and the Oscars. A west coast cousin of sorts to the Gotham Awards, the Indie Spirits often celebrate the movies that the Academy skipped over with its nominations. The ceremony itself is also more fun (there's some day-drinking involved) than the more staid guild awards that dot the homestretch ahead of the similarly serious Academy Awards.

The Voice of Hind Rajab has been nominated for an Academy Award for best international feature, a recognition for the Tunisian film that features the voice of a 5-year-old girl whose phone call begging for help was heard across the world before she was killed by Israeli forces in Gaza. The film is a mix of a documentary and drama that weaves in the recordings of Hind's phone call along with scripted, dramatized scenes of Palestinian Red Crescent dispatchers as they agonized over trying to save her. It was nominated alongside four other films.

A quarter-century later, it's safe to say that those days have come to an end. Not only does the streaming-only Netflix of the twenty-twenties no longer transmit movies on DVD through the mail (a service its younger users have trouble even imagining), it ranks approximately nowhere as a preferred cinephile destination. That has to do with a selection much diminished since the DVD days

The film tells the true story of Hind, who was killed by Israeli forces in 2024 as she and her family tried to evacuate Gaza City, blending recordings of real emergency calls with dramatic re-enactments. It draws on harrowing audio from Hind Rajab's call to the Palestine Red Crescent Society, in which rescuers tried to reassure her as she lay trapped in a bullet-ridden car with the bodies of her aunt, uncle and three cousins, who had all been killed by Israeli fire.

For Kleber Mendonça Filho, filmmaking is an act of both provocation and preservation. Mendonça was born in 1968, in the early years of a ruthless military dictatorship-a time when cinema, like much else, was harshly constrained. His mother, Joselice Jucá, was a historian who studied Brazil's abolitionist movement, and she taught him that filling gaps in the cultural memory was a way to expose concealed truths. In Mendonça's work, memory functions as a tool of defiance.