The first episode challenges Shakespeare's vision of a villainous Richard III, while a future episode will consider the Ross and Rachel of early modern history, Henry VIII and Anne Boleyn.
The Truth and Tragedy of Moriah Wilson on Netflix is so good. I've followed this case since day one, and I'm so glad they finally did a documentary that honours her life and brilliance as an athlete, not just the tragedy.
Hill struggles to open up despite his unabated desire for vulnerability, feeling that he had to turn his own therapy sessions into a Netflix documentary to force himself to an uncomfortably honest place.
The Pitt is set in almost real time over a single shift in the overstretched emergency department of a busy Pittsburgh hospital, showcasing the chaos and urgency faced by healthcare professionals.
Bryan Cranston's performance in the Malcolm in the Middle revival, especially a scene where he experiences a drug-induced ego death, may be his greatest work.
In the fourth season of Industry, everyone has a story to sell: a neutered fund or loveless marriage, shamed husbands, a life aimless after retirement, a payment-processing firm hampered by its ties to porn and sex work. These labels seem to indicate mistaken priorities or misplaced trust. But they are just narratives to be refined or redefined. Everything is up for grabs if you tell the right story.
Whereas other characters are cold and sharklike, Yas feels her way through the world-and uses her vulnerability to manipulate others. Being born into wealth taught her that none of us is in command of our fate, so we had better cheat for whatever control we can. She's the statuesque girlboss for the new gilded age.
The television show I'm most enjoying right now: There is a Hollywood story in David Niven's autobiography Bring on the Empty Horses, in which the screenwriter Charles MacArthur asks Charlie Chaplin how to make the comic pratfall scene of a person slipping on a banana peel new again. Chaplin suggests that MacArthur start with a lady walking down the street and cut to a shot of the banana peel on the sidewalk, which the lady steps over-right before she falls down a manhole.