John Goodwin, the communications director for the Metropolitan Transportation Commission, stated that the West span path part of the project is 'effectively paused' in the early planning stage, with the soonest work advancing in 2027.
Pilar Zeta builds environments like dreams that feel like stepping into a thought mid-formation. Her sculptural works take shape in the form of portals and objects that invite direct engagement, as visitors are invited to walk through them and notice subtle shifts in perception.
The pavilion is recognized as the first building in Mexico constructed using cross-laminated timber (CLT). This system replaces conventional concrete and steel structures with mass timber, reducing the carbon footprint of the construction process. CLT panels are composed of layered wood elements arranged in alternating directions, creating structural stability while enabling prefabrication and efficient assembly.
On November 10, 1943, the city of Recco was destroyed forever. Twenty-two bombers of the British Royal Air Force dropped 33 tons of explosives, attempting to demolish the railway bridge, an iconic element of the town and a crucial point for the supply of Nazi-fascist troops.
"I can't stress enough how much of a revolving door it is," says designer Henry Boyle of the seaside Nantucket compound he recently completed for a Connecticut-based couple, their four young-adult children, and a pack of beloved dogs. "They're local celebrities in this community-it's a constant stream of people."
The Noon Repose Pavilion is located on the bank of a rural river in Huizhou, a city in southern China, along the scenic route encircling Nankun Mountain and Luofu Mountain. Huizhou was once a place of exile for the Northern Song scholar Su Shi. During his years there, exile did not result in withdrawal from life, but rather intensified his attention to its everyday rhythms.
RED HOOK - A SPECIAL EXHIBITION - "Brooklyn Marine Terminal: Past, Present, & What's Next for Red Hook?" - will hold its opening Friday night from 6 to 8 p.m. at the Compere Collective, 351 Van Brunt St. in Red Hook. The display, hosted by Resilient Red Hook in collaboration with Pratt Institute's School of Architecture, features student work that explores alternative visions for the BMT, bringing academic insight, community priorities and design innovation together.
The plans would affect an area known as Royal Victoria Dock West, which is the end closest to London City Hall and the Cable Car. If carried out, the two biggest changes will be a range of floating walkways reaching into the dock, lined with water plants. The other change will be the introduction of walkways on the south side of the dock for long-term residential boat moorings.
The design team combined the requirements for an accessible bridge and a small pavilion into a single structure, creating a unified architectural gesture that supports both movement and gathering.
Studio Millspace Text description provided by the architects. Throughout eight months of design and on-site work, we realized that what truly matters is not the completeness of drawings, but the intuition shaped by being present. Around 70% of the layout was defined early on, while the remaining 30% was deliberately left without a set functionallowing light, behaviors, and moods to participate in forming the space.
The three-storey building features a scalloped brick facade punctuated by slim, semi-circular and rectangular windows. It is entered via a public walkway that sits between the fitness centre and an adjacent school, as the building is tucked into a centre lot. Its upper levels are clad in corrugated metal panels and just peak over the brick volume at the front.
The project responds to a series of site-specific conditions, including exposure to wind, sun, and the absence of a dedicated outdoor room. Located adjacent to an architect-designed house with a restrained internal layout, the pavilion offers an additional space without altering the existing domestic interior. Positioned as an intermediary element, it operates as a threshold between the private realm of the house and the open landscape beyond.