'Good Cop/Bad Cop' Is Better Than It Should BeThe show 'Good Cop/Bad Cop' manages to be self-aware despite its generic title.
Don't Bother Waking Up for "On Call" | TV/Streaming | Roger EbertAmazon Prime's 'On Call' fails to offer original storytelling, relying instead on clichéd tropes and predictable character arcs.
'Good Cop/Bad Cop' Is Better Than It Should BeThe show 'Good Cop/Bad Cop' manages to be self-aware despite its generic title.
Don't Bother Waking Up for "On Call" | TV/Streaming | Roger EbertAmazon Prime's 'On Call' fails to offer original storytelling, relying instead on clichéd tropes and predictable character arcs.
The MCU's Riskiest New Show Is A Surprising Marvel FirstMarvel is developing a new series focused on Nova, merging superhero narratives with the police procedural genre.
How 'Blue Bloods' ends after fourteen seasons: What happens in the series finale?The series finale of 'Blue Bloods' closes a 14-season chapter with emotional themes of loss and leadership.
Why Was the Miami Vice Pilot So Good?Miami Vice pioneered cinematic television with its stylish storytelling and complex themes, setting the standard for future series.
ABC's 'High Potential' takes police procedurals to new heightsThe new ABC series "High Potential" blends crime-solving and comedy through an unlikely partnership between a cleaning lady and detectives.
Damaged review Samuel L Jackson comes to Edinburgh in crime thrillerThis crime thriller genre blends absurdity and humor, showcasing an unlikely cast in a traditional British police drama setting.