#post-punkdiy

#post-punkdiy

Sabahs are made entirely by hand from 100% leather in either Texas or Turkey—two regions with distinct yet deeply rooted relationships to the material. The result is a shoe that varies subtly from pair to pair, even within the same size.

"I always feel the most comfortable in the punk world because they want to be hated, which I find funny. Pink Flamingos was a punk movie. We even had the yellow, the color hair. You couldn't buy the color back then, you had to do it with India ink and magic marker. So we were always punk. In a way it was a great freedom when that came. And punks are my people still."

Pacha New York aims to serve as a meeting point where global electronic artists, local creatives, and next-generation audiences can converge, fostering a vibrant dance culture.

"The metro and murals are so cultural to Brooklyn," Melezhik said. "The inspiration for this design was generally that Brooklyn itself is very well known for its metro systems. It's one of the best metro systems in the US."

The 3xLP set is pressed on 180-gram vinyl and housed in a triple gatefold jacket featuring pop-up components and a subway map lithograph, making it a unique collector's item.

The curators of Greater New York really captured the energy of the city well - not the out-of-towner's New York with its glossy surfaces, brands, and trendy fare, but the gritty New York that's always in the process of formation, that rejects surface in favor of rawness.

Much of Instagram's video content is organized around transformation-the virtual magic of the before-and-after and clips that show cause and effect. A person makes pasta from scratch in 20 seconds via edits that compress time-intensive labor.

The beating heart of Sugar was always the sound of Bob Mould's guitar: a colossal, metallic, thunderous thing, like a sonic boom you could whistle. It was incredible, being engulfed by that wall of sound.

Odeal's music sits loosely within R&B, also drawing on Afrobeats, neo-soul and contemporary pop. Across his catalogue, love is rarely conclusive. Instead, songs live in emotional grey areas.

"We chose Tiger Baby for the first single from our new record because it's kind of like the everything bagel of songs from the session. It's heavy and crazy and chaotic but also very catchy and hooky which is very much what the entire record sounds like all baked into one song."

No Fun Fest returns to NYC for the first time since 2009 as No Fun New Perspectives, a three-day event featuring avant-garde and improvisational music.

Brighton was rarely described as a scene, despite being home to Nick Cave and Paul McCartney and hothousing a surge of remarkable young talent that's still thriving more than 20 years later.

'Starting Over Again' is our first new music in over a decade, and it came from the fans calling for it and us realizing the timing finally felt right. The chemistry in this lineup is undeniable, and everything just clicked. This song is exactly what the title says. A reset, but with more clarity, more urgency, and way more fire behind it. It feels like the start of something big for us, not a throwback, but a step forward.

You could go anywhere in America and argue with some success for the cultural impact wrought by most of the once-subcultural stars of Lizzy Goodman's oral history of New York's post-9/11 rock scene, 'Meet Me In The Bathroom.' Or, for God's sake, Jeff Chang's history of hip-hop, 'Can't Stop Won't Stop.' But to explain this era to someone who hasn't devoted their psyche or youth to 'indie rock,' you'd need to spend a whole dinner, and maybe a few drinks afterwards, justifying why the tentpole events that 'Us v. Them' returns to multiple times in its 300-page run mean anything.

The new album Everything Must Go arrives on April 24 via Bad Time Records and Community Records, and first single 'Free Dom' is out now. It finds Bad Operation doing what they do best, fusing 2 Tone's influence with fresh, urgent new ideas and coming out with something danceable, catchy, and powerful.

Dream Fatigue is a new-ish Massachusetts band launched by former Fleshwater/Vein drummer Matt Wood and fronted by Jonali McFadden, and they make shoegazy alt-rock that's not too different from what Matt was doing in Fleshwater. They released their debut LP The Lady In The Sky in 2024, and now they announced a new seven-song EP, No Requiem, due February 13 via DAZE ( pre-order).