Ira Sachs, who emerged from the New Queer Cinema movement of the '90s, has become one of the most accomplished & revered directors of his generation, crafting achingly intimate stories about love, friendship, and desire.
I love Trixie Mattel. I mean, I'm a big fan of Drag Race, but I think Trixie is kind of a unique brand. And, we were thinking, 'Who would be on The Traitors? And, you know, they always pick a drag queen. And, I thought, 'Well, if we have a choice, let's ask Trixie.'
Carter Shocket stated, 'They kind of felt like they happened and then they were over, like it wasn't a long-lasting kind of project. It was just a flash-in-the-pan kind of thing.'
In a media landscape that continues to sensationalise trans existence, director Mark Lyken deploys a slice-of-life visual approach. It is as if we are not merely watching Opal and Lana, but are hanging out with them as friends.
For as much as gays love their horror, and as many examples there are of the genre finding its haunting power through queer metaphor (from the scary subtleties of Psycho to the screamingly obvious A Nightmare on Elm Street 2: Freddy's Revenge), there are relatively few mainstream horror films that actually tackle LGBTQ+ themes head-on. However, after a rapturous reception at the Sundance Film Festival, Australian supernatural fright flick Leviticus was quickly picked up for theatrical release by Neon and might just be the " queer horror masterpiece " we've been waiting for.