Film
fromVulture
9 hours agoThe Biggest News From CinemaCon 2026
Top Gun 3 is in development, Snoop Dogg's biopic is coming, and Disney's Hexed has a cast featuring Hailey Steinfeld.
"The films at this year's Festival represent a wide array of voices, regions, storytelling, and style. In our increasingly divided world, film is a medium that can close some of those gaps, and help us understand the universality of humanity."
In the film, Bronz's character is commissioned to compose a new national anthem for post-Oct. 7 Israel, and writes a warmongering ballad about destroying Gaza and 'love sanctified in blood.'
Titled "في الحِلّ والترحال" / In Interludes and Transitions, the exhibition is led by Co-Artistic Directors Nora Razian and Sabih Ahmed, while Milan-based architect Sammy Zarka contributed as the Associate Architect and Exhibition Designer. The exhibition scenography is designed by Formafantasma, and the event brings together more than 65 artists from over 37 countries, including more than 25 newly commissioned works.
South by Southwest is not the only annual genre fest out there by any means, but its equal focus on film, music, and tech makes it nearly unmissable for many a genre fan. The Austin-set fest has almost too much to offer, however you slice it: Building one's schedule feels like a perpetual exercise in killing your darlings.
Each year, most films leave the festival without a distributor in place, and we've only seen a handful of sales so far despite Netflix, Neon, Searchlight, Focus, A24, and more all on the ground. Plus, newcomer distribution groups like Row K and Warners' independent label also landed in Utah to make an impression. Alas, many movies still need a home, and below, IndieWire rounds up the ones we think distributors will click with - some more intrepid than others, but all worthy of a hopefully big-screen landing place.
The Voice of Hind Rajab has been nominated for an Academy Award for best international feature, a recognition for the Tunisian film that features the voice of a 5-year-old girl whose phone call begging for help was heard across the world before she was killed by Israeli forces in Gaza. The film is a mix of a documentary and drama that weaves in the recordings of Hind's phone call along with scripted, dramatized scenes of Palestinian Red Crescent dispatchers as they agonized over trying to save her. It was nominated alongside four other films.
"I don't know if it's that there were more comedies being made or people have started to realize that SXSW is a festival that really celebrates and can launch comedies. So, we really sparked a lot of them this year. They have a lot of dark sense of humor, a lot of ways to accept the sort of harsh world around us and still find light in it. I think that's in a lot of the films that we're playing."
In a small Australian town, two queer kids-Naim (Joe Bird) and Ryan (Stacy Clausen)-share furtive glances and intense kisses in an abandoned mill. Oftentimes, violence, like the rough play fighting they often engage in, incites their sexual passions, which they must conceal in their fiercely religious town. Their adolescent passion turns deadly, however, when Naim discovers Ryan cheating on him with the preacher's son; so naturally the jilted teenager spitefully reports his lover's tryst.