In both places, there was a sense of energy building that was not yet fully visible. The experiences made me realize that, while sales totals and fair brands can serve as benchmarks of centrality, slower, structural transformations are taking place throughout Asia that merit closer attention.
The bowl-shaped canopy, its underside ground to a flawless mirror finish, acts as what the team describes as an urban periscope. From above ground, the city is reflected downward into the station.
The investment will flow through a newly formed venture called HUMAIN, a Saudi-based company focused on building AI infrastructure including data centers, cloud computing campuses, and the development of Arabic-language AI models. The partnership brings together Saudi Arabia's Public Investment Fund (PIF) with leading US technology companies, creating a framework for the Kingdom to host some of the world's most advanced computing facilities.
Sitting at the western tip of one of Abu Dhabi's many coastal islands, Saadiyat Cultural District's transformation from an expanse of featureless sand into the home of one of the world's most ambitious cultural projects has taken almost two decades. But, after years of construction shrouded in clouds of windblown dust, the much-anticipated cultural quarter has come into its own almost overnight, earning itself a spot on Condé Nast Traveler's list of The Best Places to Go in 2026.
Sand Art is a game by Kory Jordan and published by 25th Century Games for two to four players ages 10 and up. It takes about an hour to play, and has you collecting resources and then coloring in a bottle, making art in a bottle out of sand, in case the name didn't give away the plot. Gameplay Overview: Sand Art has you gathering and mixing sand, which is used to fill your bottle.
Vision 2030 has reshaped several sectors across the Kingdom, with healthcare emerging as one of the most visible areas of progress. Today, millions of expatriates live and work in Saudi Arabia, many of them in specialized and highly skilled roles. To meet their needs, the country has expanded private healthcare services, raised regulatory standards, and opened the door to more advanced medical facilities, allowing foreign residents to access modern care locally rather than relying on treatment abroad.
Once a Najdi settlement defined by mudbrick walls and courtyard houses, Riyadh has undergone one of the most radical urban transformations of the 20th and 21st centuries. The discovery of oil reserves, the consolidation of political power, and the rapid expansion of infrastructure reshaped the city from a regional capital into a sprawling metropolis almost within a single generation. As a result, Riyadh's urban fabric is marked by discontinuities, fragments of vernacular architecture coexist with mid-century institutional modernism, and a rapidly evolving contemporary skyline.
Five bronze towers soar 400 feet above Saadiyat Island, the ever-expanding cultural district just off the coast of Abu Dhabi. The structures-which recall the wings of a falcon, a highly prized symbol in the United Arab Emirates-are the architectural signature of the Zayed National Museum, which opened in December. Two weeks before, another vastinstitution, the Natural History Museum, debuted. They will be followed later this year by the most ambitious of all-the late Frank Gehry's Guggenheim Abu Dhabi.
Shell House is a residential project that reimagines the traditional courtyard home through the language of softness, light, and spatial layering. Located on a corner plot in Kuwait, the design draws inspiration from the organic morphology of a shellprotective on the outside, open and nurturing on the inside. At its heart lies a lush, intimate courtyard with a pool, visible from the home's primary living spaces and home gym, establishing the courtyard as both a literal and conceptual anchor.
Titled "في الحِلّ والترحال" / In Interludes and Transitions, the exhibition is led by Co-Artistic Directors Nora Razian and Sabih Ahmed, while Milan-based architect Sammy Zarka contributed as the Associate Architect and Exhibition Designer. The exhibition scenography is designed by Formafantasma, and the event brings together more than 65 artists from over 37 countries, including more than 25 newly commissioned works.
After a decade of big spending, Saudi Arabia is scaling back some massive Vision 2030 "gigaprojects" due to falling oil prices and budget constraints. What does this mean for the nation's big cultural projects and investments? Plus, all eyes are on the Gulf this week as the first edition of Art Basel Qatar gets underway. Plus, the NFT platform Nifty will shut down this month.
As an artist, having the freedom to create without boundaries is incredibly rare. That's why I reference the Sistine Chapel-not to compare myself to Michelangelo, but to evoke that moment in history when an artist was entrusted with complete creative freedom to interpret humanity as it was understood at the time,
The 2025 sale came in just above its low estimate (all estimates calculated without fees), making $14.4m ($17.2m with fees) from 140 lots with a patchy 67% sell-through rate by lot. This year, by contrast, was a more concise offering, with 67 lots of fine art that landed a healthier sell-through rate of 89% and a hammer total of $15.4m ($19.5m with fees), near the pre-sale high estimate of $16.6m.
The quadrennial exhibition introduces a new type of transnational, transdisciplinary program to Doha, rooted in issues that affect both Qatar and the wider region. The artists exhibiting broadly represent the diverse nationalities that live in Qatar, while their work reflects the shared geographical, environmenta
"The show is about giving the pen back to the writer, giving the paintbrush back to the artist, during this time of genocide," the Ridikkuluz told Hyperallergic in an interview at the gallery. "And when there's been so much censorship, these are artists that might not have been able to do this anywhere else."
This year's Art SG, which closed last month, featured an intriguing debut: South Asian Insights, a modest pavilion dedicated to contemporary art from the region. Part of the TVS Initiative for Indian and South Asian Contemporary Art, it was backed by India's TVS Motor Company, one of the world's largest two-wheel manufacturers, which has its global headquarters in Singapore. Eight galleries-five from India-were each given a wall to showcase art.
Qatar Museums was founded in 2005 by Sheikha Al-Mayassa bint Hamad bin Khalifa Al Thani, the daughter of the former emir of the country. As Qataris like to point out, Doha's engagement with international contemporary art began before that of the UAE and well before that of Saudi Arabia; its I.M. Pei-designed Museum of Islamic Art opened in 2008 and Mathaf: Arab Museum of Modern Art in 2010, while museums elsewhere were still in the planning stages.