The campaign explores the relationship between graphic identity and natural motifs, with the S-check pattern reinterpreted through cherry blossom imagery, establishing a contrast between graphic order and natural variation.
Seongsu-dong is Seoul's creative hub, where old warehouses and factories have been transformed into design studios, cafés, and showrooms. Often referred to as 'the Brooklyn of Seoul,' the industrial infrastructure, pop-up scene, and design-led façades make it a photo-friendly destination favored by many design-loving visitors.
Making pojagi was a way of "economizing resources," and also "an act of affection," explains artist-fashion designer Christina Kim of Remodelista longtime favorite Dosa. Shown here: Dosa's cotton and silk Pojagi Scarves are "both a reminder of Christina's childhood in Korea and a beautiful expression of traditional recycling"-and would work well on a wall or in a doorway.
Whether you're pulling out the stops with pockets, prints or preppy know-how, you can't go wrong with showing off the lightweight outerwear this spring. Along the way, I clocked a lot of really cool jackets, and damn did the wearers look good.
CFGNY is having a big spring. The self-proclaimed 'vaguely Asian' art and fashion collective is in a group exhibition about the production and representation of Asian fashion at Pioneer Works, transforming the third floor into a cardboard-lined shipping container filled with studio portraits shot in Ho Chi Minh City, Vietnam, a growing fashion hub.
ILLIT's Not Cute Anymore came out a couple of months ago. It's an incredibly impressive pop song. It has this kind of, like, light, lithe, rocksteady vibe to it. I also hear it as a little bit of a pointed rebuke to how a lot of girl groups are framed in K-pop. Innocent. Sweet. And maybe it's a bit of a broadside in the ongoing K-pop war between NewJeans and their parent label, Hybe.
The announcement doesn't show any of the sets in full, but it does have a brief tease of what looks like a model of Derpy, the demon tiger and pseudo-mascot of the movie, knocking down a potted plant made up of Legos. Fans will know that one of Derpy's quirks is that he knocks down plants like a regular cat, but becomes fixated on trying (and, without thumbs, failing) to set them back up.
Korean culture has become a familiar presence in American life. K-pop dominates global charts, K-dramas have become staples on streaming platforms, Korean food has moved from specialty shops to neighborhood grocery stores, and K-beauty brands line retail shelves nationwide. As Korean culture reaches new audiences, Korean Treasures: Collected, Cherished, Shared traces the artistic traditions that have shaped today's cultural momentum.
Kim Donggyu Text description provided by the architects. Defining the spatial identity of an overseas brand that deals with delicate fragrances is a profound challenge. In this project, we turned to the philosophy of 'Daegang ()'. While often used in modern Korean to mean 'roughly' or 'in general,' the Chinese characters tell a deeper story: (Great) and (The Main Stay/Head-rope of a Net).
Beneath a dome that once watched over the French Communist Party's debates in the 1970s, a large self-illuminating dinner table is prepared. Its oval shape stands in the middle of a room noisy with conversation and Object Blue's elegant, beat-driven dinner soundtrack. Guests like Gabbriette, Cruz Beckham, Paloma Elsesser, Damson Idris, ASAP Nast and Pusha T gather under a DayGlo hanging light box. The setting looks, not at all accidentally, like Kubrick's vision of a war room in Dr. Strangelove. And it is a party.
In the show, "dirty" extends to anything that breaks fashion's pact with propriety. Here are clothes caked in grime, blotted with makeup, stiffened by salt, pieced from trash, frayed, and faded. The garments span decades, from the 1980s through the mid-2000s, when the likes of Vivienne Westwood and Jean Paul Gaultier built their fame on defying convention, to today, when corporatization has made such daring increasingly rare. But forgoing practicality frees certain designers from the demands that the body be polite-and thereby policed.
Choosing a particular model does not necessarily mean focusing on excessive colour, but rather knowing how to identify the lines and volumes that communicate a precise aesthetic vision that breaks with convention. This process requires a certain awareness of materials and proportions, as a shoe with a strong design has the ability to transform even the simplest outfit into a sophisticated and modern style statement.
Last week, Berlin-based sustainable customisation brand L.A.M.E.official made a splash at Berlin Fashion Week with the unveiling of their latest collection. As part of the launch of their online shop, the show captivated audiences by celebrating collaboration, movement, and self-expression. Featuring dynamic dance performances and individually styled looks co-created with each model, the event showcased the brand's commitment to inclusivity and creativity.
Embroidery is a historic mainstay of traditional clothing in Asia or the Middle East, as well as Western Haute Couture, but it is increasingly present in Paris, Milan or New York on modern men's shirts, bomber jackets or blazers. Designers at Dior, Dolce Gabbana, Kenzo or Gucci have adopted it in recent runway shows, while Louis Vuitton's celebrity rapper-designer Pharell Williams dedicated his entire June collection to India after visiting the country.
There is every chance that 2026 will be the year you see your first pair of Gardana gardening clogs in the wild. In fact, if you spend much time on TikTok, or live in Brooklyn, you've probably already been seeing them for months, if not years. I saw my first pair a few weeks ago. I watched a dad dropping his kids off at school in head-to-toe Carhartt, a pair of Gardanas peeping out from below his trousers like a shy frog.
It captures seven different femininities during an all-day pool party, enjoying themselves while revealing their distinctive styles. Creative Direction, Production & Styling by Maria Gkin. Photography by Eliza Poultidou. The models are Vanessa Otilia, Cyka, Alvina Chamberland and Angelica Komninak. The concept examines the thin line between what is seen as acceptable and what has been labelled ugly or immoral, explored through each woman's personal story. Textures, colours, makeup and styling come together, breaking down stereotypes and highlighting fashion as a means of freedom
