Santos and Mel's duet of Alanis Morissette's 'You Oughta Know' strikes the right chord, imploring they let their hair down and vent their ineffable frustrations into the mics.
The intro credits for Margo's Got Money Troubles are a whole vibe. We're dropped into a surreal, candy-colored pinball game, created by Peter Anderson Studio. The sequence introduces us to an alien-like princess figure. Her movements are smooth and assured, but she keeps getting bumped into even more precarious situations.
"I think we're in a place where we're trying to make marriage seem more like a positive choice, rather than an obvious obligation. It's a fascinating fiction that those who get married subscribe to, hoping that the fiction becomes true."
In the fourth season of Industry, everyone has a story to sell: a neutered fund or loveless marriage, shamed husbands, a life aimless after retirement, a payment-processing firm hampered by its ties to porn and sex work. These labels seem to indicate mistaken priorities or misplaced trust. But they are just narratives to be refined or redefined. Everything is up for grabs if you tell the right story.
Whereas other characters are cold and sharklike, Yas feels her way through the world-and uses her vulnerability to manipulate others. Being born into wealth taught her that none of us is in command of our fate, so we had better cheat for whatever control we can. She's the statuesque girlboss for the new gilded age.
