Music production
fromPitchfork
13 hours agoSamba Jean-Baptiste: +3
Samba Jean-Baptiste's album +3 blends avant-rap and R&B with experimental elements, showcasing a refined approach to song structure and emotional depth.
The inaugural edition is organized around the central theme "Shifting the Center: From Fragility to Resilience," reclaiming African architecture's place as a site of spatial intelligence and cultural memory.
After a long stay away from this land, it is returning to its own people and it is an honour for us and a relief to welcome it. This is the missing piece of the puzzle that is returning today. Receiving this sacred instrument is a relief, but it is also another form of connection with our ancestors who were very close to this instrument.
Oumy is a leading figure in contemporary Senegalese music. Her style, which blends hip-hop, African R&B and global pop, makes her one of the most exciting artists on the country's urban scene. Beyond her music career, she has also been involved in social projects within her community, participating in cultural festivals and campaigns related to the environment and equality.
We are told that the country is rich in oil. But I don't see that wealth in my daily life. Look at Pointe-Noire, formerly nicknamed as Ponton la Belle [Beautiful Pointe-Noire]. Today, the city is unrecognisable. Around the Grand Marche, the main roads are potholed, and when it rains, the streets get flooded, making it almost impossible to drive.
A landslide triggered by heavy rains has killed more than 200 people at the Rubaya coltan mine in the eastern Democratic Republic of the Congo, authorities said. DRC's Ministry of Mines said on Wednesday that about 70 children were among the victims, and others who were injured were evacuated to medical facilities in the city of Goma, the capital of North Kivu province.
THE TITLE OF THE KW SHOW is "RATIO." The term comes from economics, this idea of balance. But I'm applying it to the conflict here in the DRC, which is based around our strategic rare minerals. I'm talking about customs, electronics, space, minerals. In my country, we only ever talk about making phones, about buying a new phone. I advise young people who are looking at the front of their phone-at the screen-to keep the back of their phone in mind;
I started out getting vegetables from Goma and selling them in this market. I never expected to be the one rebuilding it decades later, says Bakarani. We have built a market with local people, especially our mothers and sisters, in mind. We have kept the concept of the old one but have enlarged it, and it is more functional. It was a nightmare imagine what it was like for our mothers or sisters selling there exposed to the sun from morning till evening Dieudonne Bakarani
Walking through Ideas of Africa: Portraiture and Political Imaginationat the Museum of Modern Art, I noticed that the exhibition didn't have definite sections or texts, and the wall labels abstained from naming the nationalities of the photographers. It was an invigorating experience to be in a show that eschews geographic boundaries set up by Western nations, as well as rejects a cause-and-effect narrative that centers Western colonialism as a framework for understanding African aesthetic production.
Michelle Paulin dances while instructing youth at the Dulce Tricolor Venezolano dance group at the Ariel Dance Studio in Campbell on Jan. 25, 2026. Dulce Tricolor, a Bay Area Venezuelan dance group founded in 2019, teaches children traditional folk dances while preserving culture, building community and offering a sense of home amid Venezuela's ongoing political and economic crisis. (Josie Lepe for KQED)