#shaina-taub

#shaina-taub

Alysa Liu was able to win gold in figure skating at the 2026 Olympics thanks in part to skating to a song by Laufey. Now, she's joined a star-studded cast to act in the musician's latest video.

In 2025, Dmae Lo Roberts embarked on a statewide storytelling experience focusing on personal stories from both artists and community members. These stories are a form of living oral history.

For the Shakers, Dancing is both a means of revelation and a way to do the work of God in the world, Kimerer LaMothe, a dancer and philosopher of religion, said in an interview. To dance is to build heaven on earth.

Drivers were delivering packages in deadly heat with no air conditioning; part-time employees, the majority of UPS' workforce, have been unable to receive benefits. Wages aren't rising at the same rate as the cost of living.

In early 1991, the composer Alan Menken took a keyboard to St Vincent's hospital in New York to visit his friend and creative partner, the lyricist Howard Ashman. Ashman was in the final stages of Aids-related illness, but was determined to finish his work on Disney's Aladdin.

Whoopi Goldberg's performance as Deloris Van Cartier in Sister Act is considered one of her greatest. The film, released in 1992, features a storyline about a lounge singer who hides in a convent after witnessing a mob hit.

Samara Joy sings with old-school phrasing and a modern calm that makes the Great American Songbook feel freshly alive. Her tone is warm and centered, her control is ridiculous, and the swing is the real flex, every line shaped with patience and purpose.

All but one of the song titles on Body Sound, the debut album from experimental string trio Whitney Johnson, Lia Kohl, and Macie Stewart, line up nicely-a few words, usually two, usually nouns, separated by a vertical line. The straight line in the middle means different things in different disciplines. In computing, it's called a 'pipe' and serves as a conduit. In poetry, it denotes a pause or break. In music, it marks the beginning and end of measures.

MarcAurele knew he had to strike while the iron was red-hot, so he got to writing, and in just three short weeks he was bringing the show to life, complete with a number that explored the inherent musicality of that bike scene and another that featured a chorus lauding 'gay hockey players with big butts' as if they were singing a church hymn.

The idea for Canopy really began with a very personal experience. I gave birth to my first baby in New York City on March 24, 2020, right in the earliest days of the pandemic when the city was in full 'shelter in place.' Overnight, there were no playgroups, no mom gatherings, no places to go with a baby. The normal ways that parents meet each other and find support totally disappeared.

Our love affair had more layers than a lasagna. We were both Italian. Passionate. Intense. Committed to our craft. We both had volcanic tempers. He was a diabolically handsome man who shared my love for film. Their cocaine-dusted romance continued after the film wrapped, and she picked him to direct her in the Broadway musical The Act.

Founded in 2014 as a tongue-in-cheek alternative to the esteemed Whitney Biennial, the Every Woman Biennial has evolved into an intergenerational showcase that mixes emerging talent with established feminist art stars while maintaining the scrappy, activist energy that inspired it in the first place.

People all saw that there is something new is being attempted here that you've just got to see. I think that is its own reward. In an era where New York's storied Met Opera has faced layoffs, pay cuts, postponed productions, and a controversial financial agreement with Saudi Arabia, forward-thinking artistic direction becomes essential for survival.

While Howard's case is full of nuance, Ogilvie initially only sees him as an overweight patient who might be better served by the medical facilities at the zoo. It's a breathtakingly callous statement, especially when made within earshot of the patient, yet to many larger-bodied people, it's a very real concern.

His writing is incredible. The characters are real. There's so much for actors to dig into. To be able to write that way and to connect with people, you're operating on a higher plane.

When I came to America I tried a lot of classes and 90% of them, even if a class was for beginner level, were really difficult. I was thinking, if I were a grown woman who just decided to start, I'm going to get trauma, it's so hard, it's so competitive, and I [said], I need to create something dedicated to women, without this pressure, without this judgmental vibe.

There have been so many impactful films made about the Holocaust, but two things drew me in as a writer. One was that this man kept his secret for 60 years, which I later found out was quite common among survivors. So, the idea of holding on to a secret until you're in your early 70s, even from your children and your family, was compelling.

"It has been a bucket-list dream of mine to perform on a New York stage, and I couldn't think of a better way to do that than becoming a part of the 11 to Midnight family," Morris said in a statement.

Volti and Left Coast meet in a bold and dramatic new work by Chris Castro for storyteller and musicians, which delves into the ancient and universal human explanations for our beginnings. The human relationship to our environment forms a through-line from romantic to experimental musical sensibilities.

I am very partial to Cha Pa's Noodle and Grill on 52nd. I love their whole menu, but particularly their pho, and the service is always incredibly fast. You can get in and out between shows with plenty of time to take a nap or wander the streets of Midtown before your evening call time.

Amber Ruffin's joy is infectious. And she's bringing that joy to her latest production, the original off-Broadway show Bigfoot! The Musical, co-written by Kevin Sciretta. The show's plot involves a corrupt mayor, gullible townspeople and a kindhearted Bigfoot who longs for community. What evolves on stage takes on even more meaning in today's political landscape. Ruffin started writing Bigfoot! in 2014.

More than 1,000 Jews, mostly in their 20s and 30s, from around the world united over the past week in New York City to share experiences, hear lectures, make connections and build bridges with relationships. They arrived, spending time in Queens, Brooklyn and Manhattan, from places ranging from Montana to Miami; Brooklyn to Birmingham, Alabama; London to Taiwan; Australia to South America; Singapore, Estonia, France and all over the United States, finding similarities and solidarity in a post-Oct. 7 world.

But instead, they find their way to a small studio, where they join 27 others in strapping on a pair of high heels and throwing themselves into two hours of dance moves. This is the beginners heels class at Vibe Dance Studio, which was started by Izzy Gonzales and her dad Ed four years ago. It's a place where people can show up exhausted, but end up with so much energy they don't want to go home.

San Francisco Poet Laureate emerita invites writers featured in Women in a Golden State to present at SFPL's Monthly poetry reading. was San Francisco's seventh Poet Laureate. Her poetry draws on her multiethnic background which includes Polish and Cherokee heritage, and her experiences as a lifelong resident of San Francisco. Her most recent book of poetry, Pick a Garnet to Sleep In, was published in 2024, and her book of essays, Noodle, Rant, Tangent, was published in 2022.

We began in the world that was-in the humid atmosphere of fin-de-siècle Vienna, from which Zemlinsky, Schreker, and Schoenberg emerged. In a program note, Blier wrote that the "Fugitives" concept was inspired by Zemlinsky's "Meeraugen," or "Sea Eyes," which tells of a "person staring into the roiling abyss of the ocean." You had the feeling, as the evening went on, that the crushing realities of twentieth-century history-war, revolution, inflation, the Depression, Fascism-made such refined aestheticism untenable and forced composers onto other paths.

What interested me here was the idea of using my voice and new tools in service of expression, not instead of it. This project respects the artist's voice, the artist's choices, and the artist's ownership. I grew up watching my parents create wonderful dreams that were owned by other people. ElevenLabs makes it possible for anyone to be a creator and owner. That matters.