Yale came to me and said there isn't an overarching book about the history of printmaking; they wanted it to be about the printed image. There are a lot of books about printing-about the history of journalism or the history of books, the printing press and the printed word-but not so much about the printed image and its processes. So that was my challenge.
"Nostalgia is my favorite feeling," said Madison Feely '26, who referenced childhood classics including "Where the Wild Things Are" and "Little Women" in her collection, "Homebody." She emphasized that her designs celebrate a well-lived childhood, honoring the authors and illustrators who allow her to relive it each time she opens their books.
My drawing practice revolves around capturing quiet, ephemeral moments found in films, music videos, and internet culture. By creating these small sequential panels, I seek to stretch these moments to their limit, aiming to slow time down and reveal a soft, meditative beauty within the digital ephemeral.
Despite having to haul a dozen dumpster-loads of damaged goods out of the offices and the nearby Lab Store, to the tune of $1.5 million, Eileen said at the time, 'It was just stuff.' You can only imagine the emotions that might arise in a chief executive if they saw their sewage-soaked products floating by. Eileen and her staff did not linger there. They mobilized quickly-organizing carpools, impromptu meeting spaces, and arranging interest-free loans for staff needing cash during the crisis.
Static images don't show motion. You can't inspect real product structure. You don't see how interfaces evolve over time. You rarely understand what actually works in production. So I decided to go deep. I reviewed every major design reference platform I could find - not just the popular ones - and analyzed how they actually help in real-world work. The conclusion?
Sand Art is a game by Kory Jordan and published by 25th Century Games for two to four players ages 10 and up. It takes about an hour to play, and has you collecting resources and then coloring in a bottle, making art in a bottle out of sand, in case the name didn't give away the plot. Gameplay Overview: Sand Art has you gathering and mixing sand, which is used to fill your bottle.
Architect-turned-interior designer Anh Ly, founder and CEO of Mim Concept, explains why the color surged in the first place: "Butter yellow had a magic moment because it felt optimistic and comforting, especially during a time when people were craving warmth at home." Now, that emotional pull is also what's working against it. "It fell short on resale since it's a very emotion-specific color. Buyers tend to see it as personal rather than neutral, which makes it harder for them to imagine themselves in the space," Ly adds.
One predictable pain point with contrast-color() is that it only returns black and white named colors. From a design systems perspective, that's not ideal because you want your colors. You want your harmonious brand and the colors you and your team spent thousands of man hours in meetings deciding on. Those colors. In fact, an earlier version of Safari had color-contrast() (confusing I know, naming is hard) which allowed you to pass in a list of best candidates to choose from. I beleive that proposal got mired in standards discussions, color contrast algorithms, and competing proposals; and contrast-color() is what survived which got simplified down to a binary result.
The 2026 Color Collection from 3form highlights hues that have anchored design across generations and cultures for thousands of years. The brand's sixth grouping is a departure from last year's palette, which emphasized the emotional power of select shades. With the guiding theme "Color that Connects," the new line features tones that are celebrated by communities around the globe. Inspiration for the palette came from exploring natural pigments used to make certain colors, and how they were found in various locales over time.
A graphic designer that isn't limited to working in 2D, Ward Goes has been working in aluminium of late. His recent solo show in Rotterdam, Literally Anything, was full of things that moved beyond the screen or printed page, including some wonderful metal signage and archival storage. The exhibition at Alley Space was the result of the designer's decision to pursue more tactical investigations alongside his commissioned work at the start of 2025.
What if I took my design lens and built out my essentials capsule for the Everlane customer? I felt like that would be a really amazing opportunity for me to introduce myself as a designer to an audience outside of EB Denim.
Helping people to reconnect with old memories, viewers are transported to their local corner shop, school playgrounds and childhood cupboards. "I think this project has struck a chord because there's a particular interest in hand drawn designs of the past in the current age of AI where human effort is at an all-time low. Now the first thought is 'I'll get AI to do that', rather than commissioning an illustrator," says Chris.
Gucci previously commissioned digital artists to produce visuals, including AI-generated images, auctioned as non-fungible tokens by Christie's. In December, it released an AI-generated video of a model strutting down the runway while photographers behind her fall over themselves - literally - to capture her.
We examine the online debate ignited by Pantone's Colour of the Year, Cloud Dancer. This episode dives into the discussion prompted by Pantone, unpacking the uneasy relationship between colour and fascism. From hardline efforts to regulate colour in public life to the ways vibrancy and maximalism reassert themselves, we explore how colour becomes a quiet form of resistance across art, fashion, film, and design.
That past is his - it is the 20th anniversary of his label, and accordingly he decided to embrace, engage, even embed himself in his own history. Which, in and of itself, is a history of histories - Moralıoğlu's office is peppered with random 1930s portraits (the ones his husband, the architect Philip Joseph, won't let him keep in their Bloomsbury home) and old, time-warped issues of Vogue, as well as overflows of books on everything from Merce Cunningham to Alfred Hitchcock.
My husband and I just upgraded our apartment here in Germany to one with much more space. The downsides of this is we have hard marble floors and a tall-ceilinged living room (oh woe is us!). It's very echo-y and looks directly into our neighbors across the street. The windows have external shutters, so light-blocking isn't needed, but we'd love to get
In the show, "dirty" extends to anything that breaks fashion's pact with propriety. Here are clothes caked in grime, blotted with makeup, stiffened by salt, pieced from trash, frayed, and faded. The garments span decades, from the 1980s through the mid-2000s, when the likes of Vivienne Westwood and Jean Paul Gaultier built their fame on defying convention, to today, when corporatization has made such daring increasingly rare. But forgoing practicality frees certain designers from the demands that the body be polite-and thereby policed.
