The narratives they offer through culture are therefore some of the clearest expressions of how they see their role in a wartime country. This year, Moscow has hosted two major government-backed awards ceremonies one for books, one for films. In both cases, the organisers played it safe, repeating familiar themes, many of them rooted in Soviet-era cultural and wartime mythology. Prizes went largely to people within the same orbit in most cases, the families of well-known Soviet-era cultural icons.
TTP identified more than two dozen X accounts allegedly run by Iranian government officials, state agencies, and state-run news outlets which display a blue checkmark, indicating they have access to X's premium service. These accounts were sharing state-sponsored propaganda at a time when ordinary Iranians had no access to the internet, and their messages appeared to be artificially boosted to increase reach and engagement, which is a key aspect of X's premium service.
Nicaragua's co-presidents, Daniel Ortega and Rosario Murillo, resorted on Tuesday to an old whitewashing tactic: releasing and parading political prisoners who had been forcibly disappeared. The move comes on the eve of a crucial decision for the Sandinista regime: the Trump administration will have to determine whether to expel the country from the Dominican RepublicCentral AmericaUnited States Free Trade Agreement (DR-CAFTA)
The most popular genre in Russian cinema today is fairytales, the 64-year-old told the Guardian. They adapt all the stories we grew up with. There's no single social drama, no movie reflecting life during the war. The only source of financing is the state. If you want to make a movie about the war itself, the only option is propaganda.
