Rumi argues that to love is to enter the unknown: to love is to empty the self of all self-knowledge entirely. He believes that emptiness is a paradoxical state of infinite fullness, allowing for the purest form of love and union with the divine.
The poem itself is an allegory: a gathering of birds set out on a spiritual quest, each one embodying a particular human flaw or attachment. Passing through seven symbolic valleys, they face trials and moments of revelation, before realising that the divine presence they seek lies within themselves. That sense of pilgrimage carries into the gallery. You are invited to take your own quiet journey through a wide range of avian-themed artworks inspired by the poem, each offering a different response to its ideas.