#tim-gunn

#tim-gunn

Chris is a genuine anomaly in the media landscape. He consistently takes on projects that are difficult to execute under high-pressure deadlines, maintaining a calm demeanor and a contagiously positive attitude.

According to the social media user who posted the photos, the group were filming for the upcoming season of Project Runway. Now, Entertainment Weekly has seemingly confirmed that the social media post was accurate, and that both drag stars will reportedly appear in the new season of the show.

his community-oriented multimedia brand Do Good Crew launched last month with his new podcast, The Person Who Believed In Me, which features thought-leaders reflecting on the people who took a chance on them when no one else would. And his first guest? None other than Oprah Winfrey.

"Nostalgia is my favorite feeling," said Madison Feely '26, who referenced childhood classics including "Where the Wild Things Are" and "Little Women" in her collection, "Homebody." She emphasized that her designs celebrate a well-lived childhood, honoring the authors and illustrators who allow her to relive it each time she opens their books.

CFGNY is having a big spring. The self-proclaimed 'vaguely Asian' art and fashion collective is in a group exhibition about the production and representation of Asian fashion at Pioneer Works, transforming the third floor into a cardboard-lined shipping container filled with studio portraits shot in Ho Chi Minh City, Vietnam, a growing fashion hub.

Rafael Leao posted a photo with Francesco Camarda, the two sharing the sponsorship of Adidas. Today, the Portuguese took centre stage in a different way: he walked the runway for Adidas' mega show. He was joined by other top-flight footballers, including Davide Frattesi, Federico Dimarco, and Giacomo Raspadori.

It's very intense. I know when we made the show, the first year, when it took off. We're supposed to make 12 episodes or something. We wound up making 50 episodes the first year. We worked every single day except Thanksgiving and Christmas. It is really tense. You are living in, like, a motor home together and getting ready on location. And everybody, you know, you get a little edgy.

A '90s runway coach who taught supermodels like Naomi Campbell and Kimora Lee Simmons how to walk a catwalk, Alexander shifted careers in 2003 when one of his pupils, Tyra Banks, tapped him to join her on a little UPN show called America's Next Top Model. As a judge and runway coach for a passel of wannabe supermodels, he transformed into "Miss J," bringing drag to the screen at a time when queerness was vanishingly rare on American TV screens.

The dress, conversely, is 80 years old, and it isn't his. It's by Pierre Balmain - Tron shows me a René Gruau illustration of the look where, with a platter hat, white fox stole and opera-length gloves, the look is borne back ceaselessly into the past. It's an illustration in a book titled The New French Style, of Balmain outfits with an essay by Alice B Toklas, the partner of Gertrude Stein.

Everybody thought I would make oversized bomber jackets with monograms, said the mononymous king-of-the-hoodie designer after the show. That's what ChatGPT said, apparently. But that's not why I came to Gucci. Instead, he said, his Gucci will be energy, passion, fun and sex.

What if I took my design lens and built out my essentials capsule for the Everlane customer? I felt like that would be a really amazing opportunity for me to introduce myself as a designer to an audience outside of EB Denim.

There wasn't kidswear in this show, but for Vevers his other two, slightly older children played a pivotal role. The wonderment of his five-year-old kids watching The Wizard of Oz for the first time was a trigger for this show - most evident in outfits switching from sepia-dulled monochrome to chromatic brights. Example? Beaten-up black denim shorts, an inky cotton shirt and grey tie, followed by its mirror opposite in - fittingly - red, white and blue jeans.

I think that people have realized that if I had a pair of distressed jeans, they can't wear them more than once or twice - three times tops - in a year because it's gonna look repetitive,

That past is his - it is the 20th anniversary of his label, and accordingly he decided to embrace, engage, even embed himself in his own history. Which, in and of itself, is a history of histories - Moralıoğlu's office is peppered with random 1930s portraits (the ones his husband, the architect Philip Joseph, won't let him keep in their Bloomsbury home) and old, time-warped issues of Vogue, as well as overflows of books on everything from Merce Cunningham to Alfred Hitchcock.

Speaking backstage before the show, Anderson, dressed in his signature faded Levi's jeans and a navy cashmere sweater, described the collection as another character study, explaining that this time he set out to explore the idea of a new aristocracy, questioning what it means today and what can it be? The-41-year old designer said when it came to the social hierarchy he wanted to ignore the aspect of money and instead home in on their eccentricity.

The end of the show did not mark the end of the trip. Back at the Le Grand Bellevue the group divided between fireside hot chocolates and the hotel's spa. The hotel's Le Grand Spa is over 3,000 square metres and has eight different types of saunas, several ice showers, foot baths and an outdoor bubble pool (named thus as it's bigger than your standard jacuzzi).

Rooted in the heart of Milan, Fiorucci has continuously merged expressive design with everyday practicality, crafting collections that encourage personal styling and a lived-in feel. The spirit of Fiorucci comes alive under the direction of Creative Director Francesca Murri, who brings a fresh perspective to the brand's legacy. Her contemporary vision reinterprets the utopian optimism for which Fiorucci is celebrated, skillfully transforming creativity, emotion, and the essence of freedom into modern wardrobes suitable for today's fashion-forward individuals.

Travelling for art can be incredibly virtuous and culturally rewarding, like collecting souvenirs for your eyes (and from the post card rail in the gift shop). Remembering to research what is on before I book flights is a lesson I learnt all too well after I missed the Metropolitan Museum's fashion exhibition in 2016 by one day. As a fashion obsessed 20 something, I did not take this well and have since improved my itinerary planning and exhibition calendar checking.

What exactly Giorgio Armani looks like without its eponymous founder at the helm has been the burning question in the fashion industry since the designer's death in September. In Milan on Monday afternoon, it got its answer as the designer's collaborator and right-hand man of four decades, Leo Dell'Orco, made his debut at the Italian fashion house where he will oversee menswear for the foreseeable future. It was the first Armani collection in which the late designer had no involvement.

Stylist and writer Orla Dempsey tried on some ties for a week, following a big fashion trend for 2026 and following in the footsteps of some famous faces

In the show, "dirty" extends to anything that breaks fashion's pact with propriety. Here are clothes caked in grime, blotted with makeup, stiffened by salt, pieced from trash, frayed, and faded. The garments span decades, from the 1980s through the mid-2000s, when the likes of Vivienne Westwood and Jean Paul Gaultier built their fame on defying convention, to today, when corporatization has made such daring increasingly rare. But forgoing practicality frees certain designers from the demands that the body be polite-and thereby policed.

Even for the largest, most resourced fashion houses, delivering a cohesive capsule of menswear that lives up to increasingly astronomical expectations - all while facing a cutthroat seasonal cycle and mounting industry consolidation - is a momentous task. More so when they haven't shown for 20 years. Then again, as Mr. Lauren has proven time and again, it is ill-advised, if not downright foolish, to bet against him.

The streets of Paris were buzzing last week with anticipation as the city hosted the Men's Fall/Winter 2026/2027 Paris Fashion Week. From the stately avenues near the Palais Brongniart to the futuristic installations of Fondation Louis Vuitton, the French capital transformed into a stage for sartorial reinvention. Designers challenged conventional silhouettes, explored bold materials, and redefined what modern menswear could be. Observers left with a sense that the era of predictable tailoring has shifted toward experimentation-balancing structure, fluidity, and wearability.