The show features pieces by participants in JASA's programs. The organization, which serves more than 40,000 older adults every year, offers art classes and creative workshops designed to bring people together while encouraging self-expression. The results will be on full display here, from paintings and textile work to other handmade pieces that reflect the artists' personal stories and styles.
Of Lithuanian-Russian heritage, Panova's work is informed by that layered cultural inheritance as growing up between cultures has shaped her sensitivity to shifting narratives. Her work explores folklore, quiet, and images that feel suspended between past and present.
An artwork is not created when an artist finishes it. It is created when it's visible to an audience and when it becomes discourse. If there's no ecosystem, nothing works. Central Asia is in the midst of an unprecedented investment in such art infrastructure, including new permanent venues, purpose-built museums, and international biennials.
Dealers like artists with established sales records because it lowers their already considerable financial exposure. Renting a gallery space in Tribeca costs anywhere between $8,000-30,000 a month on top of staff, marketing, and daily operations. With that kind of overhead, very few business owners can afford to take on the financial risk of untested artists.
Across Georgia, a series of stunning frescoes traces the country's fractious history, from its early Christian origins to the Soviet-era socialist utopianism. It was through these murals that Nina Kintsurashvili first encountered art-traveling with her father, Lasha, as he journeyed to remote mountain regions to restore medieval murals and re-learn the art of fresco painting. Here, she discovered the importance of perspective, space and line work through the logic of Byzantine and Georgian iconography, absorbing a semiotic system she has adapted and distorted,
Weeks in a relationship or life blur together. You remember birthdays and trips, but the quiet in‑between time mostly stays invisible. We track deadlines and appointments on digital calendars, but rarely see the whole arc of a shared life at once, the years you've already moved through and the ones still sitting empty ahead. There's something oddly powerful about seeing every week you have, and have had, laid out in one place on a wall.
Berlin Fashion Week witnessed a captivating display of innovation and emotion as sustainable fashion brand KOLYA BOGATYREV presented its latest collection, CONTRAARGUMENTUM. This remarkable runway show, embodying a blend of performance and fashion, stood as a compelling testament to the themes of rebirth, awareness, and artistic responsibility. Held at the vibrant Humana Second Hand at Frankfurter Tor, the venue's multi-level interior provided an evocative backdrop, echoing the brand's philosophy of sustainability and circular fashion.
It was like living in two worlds, and having to go from one to another in a dramatic way. From attending film festivals and walking down red carpets to crossing the Poland border and getting into the trenches, recalls Ukrainian filmmaker Mstyslav Chernov (Kharkiv, 40 years old) of September 2023, when he was headed from screening to screening, kicking off the race to the Oscars that he would ultimately win with his documentary 20 Days in Mariupol.
In the midst of the fabulous The Winter Show last weekwhere connoisseurship, collecting, and cultivated taste converge under one vaulted roofthere was a moment of pause, exhale, and recalibration at the heart of the fair: the VIP Collectors Lounge. This year, not as sponsorship, but as philosophy made spatial. It was titled The Modern Salon. Conceived and designed by frenchCALIFORNIA, The Modern Salon rejected the trade-fair instinct toward visual noise and brand fragmentation.
A look at how economic globalization has left its mark on former industrial cities and struggling small towns across America by photographer Matthew Ludak. Ludak received his BA from Drew University and MFA from the University of Wisconsin-Madison. His practice explores contemporary social issues, including classism, de-industrialization, environmentalism, and structural racism in the United States. He currently resides in Philadelphia, Pennsylvania, where he continues to explore the intersections of art and social justice through his photography and non profit work.
Appointed Artistic Director of the Visual Arts Department in December 2024, Kouoh had fully developed the theoretical framework of the exhibition, artist selection, editorial structure, graphic identity, and spatial layout prior to her passing in May 2025. With the support of her family, La Biennale di Venezia committed to realizing the project exactly as she had conceived it.
Mornings are best for concentrated work. In the winter, I turn on the heat at 8am and get started around 10am. Summer, I start around 9am. I have two areas in the studio for projects. The large, heavy wood sculptures are carved in the front section of the studio, closest to the roll-up wide door. Smaller sculptures are placed on a hydraulic workbench. Before I start, I focus, connect with the Source, and ask for guidance.