Abū Nuwās's poetry is sheer joy: it never fails to delight, surprise, and excite. His diwan, his collected poems, encompasses the principal early Abbasid poetic genres: panegyrics ( madīḥ), renunciant poems ( zuhdiyyāt), lampoons ( hijāʾ), hunting poems ( ṭardiyyāt), wine poems ( khamriyyāt), love poems ( ghazaliyyāt) to males ( mudhakkarāt) and females ( muʾannathāt), and transgressive verse ( mujūn).
While working on a graduate school paper on the mystical powers of coral, gemologist Anna Rasche ventured deep into the archives of the Cooper Hewitt Smithsonian Design Museum's library. Coral is the most powerful material to ward off the evil eye-a belief Italians have held since ancient times. Romans often gifted newborns coral amulets to prevent sickness and bad luck.
This freak storm eventually became the catalyst for Norway's most infamous witch trials-some of the most intense in Europe. Known as the Finnmark witchcraft trials, the proceedings continued throughout the 17th century. By 1692, 111 women and 24 men had been prosecuted for practicing witchcraft; 91 of these individuals, the vast majority of them women, were sentenced to death-a figure that represents around one-third of those condemned for the crime of witchcraft in the entirety of Norway's history.
Jamie Campbell Bower gave the standout performance as the big bad in the otherwise ho-hum fourth season of Stranger Things, and in this tawdry but fun occult-themed thriller, like Satan himself, he's back to his same old scene-stealing tricks. Once again, he's not the protagonist but a sinister figure first met literally in the shadows, making ominous pronouncements in that posh-boy accent. When finally revealed, he is dipping his chin and looking up with those uncannily blue eyes like a vogue dancer catching the spotlight. If he keeps at it with roles like this, he could be the Peter Cushing of modern horror, but with catwalk-queen hair, or the goth equivalent of the young Ralph Fiennes in his rent-a-villain era. What's not to love?
At age 12 I finally watched the film and it felt like it was made for me. I recognised and appreciated, unlike its critics, the hodgepodge. It is not so much a chick flick with magic as a genre chimera: romance, gothic melodrama, small-town satire, ghost story and feminist parable. I grew up in Hong Kong during the 1990s, a city defined by its complex history with traditions shaped by diverse communities and displaced refugees like my Beijing-born father.