I was blown away by how otherworldly her work is. Through stunning set design, ethereal lighting setups, and dreamlike projection mapping, it has been a thrill to be handed such mesmerizing (and unsettling) visual solutions.
I first became interested in projection in 2013 during college when I interned with Daniel Brodie, a projection designer on the Broadway production of Motown: The Musical. It was such a fantastic experience.
Hostel life was so much fun, but I really wanted to do something creative. Luckily, Daniel introduced me to Bradley G. Munkow, and that connection was pivotal.
Much like the AI tech at the focus of the piece, the videos draw the viewer in with a lilting mystique, while also suggesting the very human complexity inherent in this fascinating story.
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