"Genzken has, throughout her career, put together shows that are environments rather than installations-environments that destabilize the viewer by playing up the artist's love of schematic improvisation."
"In Genzken's hands, examining height and content becomes a fantastic exploration of the politics that define a world divided between the queer and the straight."
"Pieces from the great 'World Receiver' series, on view here and at Buchholz, are very funny; they're blocks of cement with aerials attached, but what does cement receive, or communicate?"
"The show at 52 Walker...offers a different and, in a way, more contained, vanilla view of the artist's far-ranging vision."
Isa Genzken, a German-born artist, creates sculptures using diverse materials, resulting in environments that destabilize viewers. Her work reflects a chaotic yet intentional design. The exhibition 'Projects for Outside' examines public spaces, particularly in New York, exploring the politics of societal divisions. Genzken's pieces, including those from the 'World Receiver' series, provoke thought about communication and the art system's need for change. The contrasting focus of her shows highlights different aspects of her artistic vision.
Read at The New Yorker
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