In his latest exhibition, Georg Baselitz presents an innovative approach to painting using his wheelchair to evoke bodily movement and anatomy. The artworks, which include 22 large canvases and ink drawings, depict figures of his wife, Elke, often exploring their anatomical features. The exhibition, titled 'A Leg by Manet from Paris,' nods to 19th-century painting. Baselitz's connection to his wife and playful take on form, notably his 'feet in the wrong place' motif, showcases his desire to explore deeper human connections and identities through his art.
Baselitz's inventive method of using a wheelchair on the canvas adds an intriguing dimension to his art, merging mobility challenges with creativity and bodily expression.
The title of Baselitz's exhibition reflects both his satirical approach to anatomy and his engagement with the legacy of 19th-century Parisian painting.
Through large-scale canvases and diverse paintings, Baselitz explores the internal human experience alongside an enduring fascination with his wife's form and presence.
The integration of personal history and innovative techniques in Baselitz's work offers profound insights into identity and the representation of human anatomy.
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