The history of art is the history of a continuum regularly shattered by revolutionary innovation, which in turn soon becomes absorbed into the continuum, and so it goes throughout the centuries. This process is evident in the new exhibition of works by the London-based Italian painter Patrizio di Massimo, all created between 2021 and 2026.
The sheet is modest in size but immense in significance. Carefully inked across the page are the opening 20 bars of a fugue - not Mozart's own invention, but his transcription of a harpsichord work by George Frideric Handel, composed more than sixty years earlier. Mozart was 26 when he set to work on it in 1782-83, transforming Handel's keyboard fugue into the beginnings of a string quartet arrangement.
Does a gorilla playing the drums along to Phil Collins mean anything to you? What about surfers that turn into horses as they're riding the waves? Or a fisherman boxing with a bear over some salmon? Those are just a few of the most iconic adverts to have graced our TV screens over the last five decades. And soon, you'll be able to see them on a humungous scale.
Modern Art is pleased to present Polygrapher, the first solo exhibition by Joseph Yaeger since announcing his representation by the gallery, and the inaugural exhibition at their Bennet Street gallery. Polygrapher denotes both the exhibition title and a text written by the artist, published in the exhibition's accompanying booklet. Taking the form of an interrogation the artist underwent attached to a Stoelting UltraScribe--and in which only the answers have been transcribed--it creates a framework for the experience of the subsequent paintings.
To our friends in Japan, we hope you can go see the Ryosokuin Temple, Kyoto, showcase of Shio Kusaka & Jonas Wood through December 10, 2025. The showcase is co-organized by David Kordansky Gallery, with new ceramic works by Kusaka and new paintings by Wood. We use cookies and similar technologies to help personalize content, tailor and measure ads, and provide a better experience.
A selection of recent paintings by Sri Lankan-American artist Shyama Golden. Born in Texas, Golden's work utilizes world-building and narrative to reveal the constructed nature of identity. The series, "Too Bad, So Sad, Maybe Next Birth," exhibited at PM/AM gallery in London earlier this year. The paintings follow the idea of past lives and deaths as Golden charts her own over the past 200 years.
John Nixon, the late Australian avant-garde artist, would sometimes save the shells from his boiled eggs and sprinkle them across blank paint, creating his own starry night. Other times he'd set himself rules, such as painting only in orange for five years. It was 1996 and he was becoming a father, so he wanted a streamlined practice plus, what other artist was associated with orange?
The term reflects her unique method of applying spray paint, bringing depth, complexity, and a painterly sensibility to her work. This exhibition presents 21 new spray paintings based on the theme "See-Through," delicately depicting moments where humor and introspection intersect through the coalescence of everyday objects and surreal scenes. The word "See-Through" harbors a mysterious meaning that serves to stimulate Stickymonger's imagination.
To celebrate its tenth anniversary, Galerie Philia presents STRATES, a large-scale exhibition staged across two of France's most emblematic brutalist landmarks: Jacques Kalisz's Mont d'Est car park and Ricardo Bofill's Espaces Abraxas in Noisy-le-Grand, Grand Paris. On view until November 30th, 2025, the show reflects on a decade of curatorial exploration that has seen the gallery bring contemporary design into conversation with architecture, philosophy, and civic life.
Spanish Foreign Minister Jose Manuel Albares said on Friday that the history shared between Spain and Mexico, like all human history, has its light and dark sides. There has been pain and injustice toward the Indigenous peoples. There was injustice, and it is right to acknowledge it and regret it. This is part of our shared history; we cannot deny or forget it.
With its third issue, The Archive of the Future, MAGMA transforms from printed matter into lived experience and takes shape in a spatial exhibition at 127 rue de Turenne in Paris. Conceived by Matière Noire together with MAGMA and presented with the support of Bottega Veneta, the show invites visitors to move from reading to presence and translate the multidisciplinary spirit of the journal into space.
Under skies heavy with storm-gray clouds, the architectural ruins in Lee Madgwick's paintings seem to exist somewhere between reality and imagination. His works are not just landscapes but psychological portraits-of solitude, fragility, and the strange poetry found in decay. With a style that merges surrealism and realism in equal measure, Madgwick transforms the familiar English countryside into a dreamlike world that's quietly charged with tension.
An exhibition tells the story of the morning of October 7, 2023, when approximately 3,000 people attending the Nova Music Festival in the Israeli desert became the victims of the deadliest attack on a music event in history. According to the Israeli military, Hamas members killed 378 festivalgoers, hundreds were injured and more than 40 were taken hostage into the Gaza Strip.
The first comprehensive exhibition of Van Gogh's portraits of the postman Joseph Roulin and his family has just arrived in Amsterdam, following its presentation in America. Van Gogh and the Roulins: Together Again at Last opens today (3 October) at the , and runs until 11 January 2026. At Boston's it attracted 280,000 visitors-and it's likely to see even more in Amsterdam.
An exhibition of architectural drawings and photographs, titled "Architecture = Art: The Susan Grant Lewin Collection," is now on view at Paul Rudolph's Modulightor Building in Manhattan, New York. Hosted by the Paul Rudolph Institute for Modern Architecture ( PRIMA), the collection brings together works by prominent architects, including Eileen Gray, Daniel Arsham, Frank Gehry, Jesse Reiser, Hani Rashid, Steven Holl, Aldo Rossi, Michael Graves, James Wines, Stanley Tigerman, John Hejduk, among others.
The exhibition takes the chance to showcase the wedge‑car design movement that emerged as a stray from the curvaceous, chrome-laden styling of earlier eras, visibly favoring a futuristic aesthetic instead of the typical aerodynamic-focused production.
