I have always documented my work and world through self-published printed matter, but when Rizzoli approached me to do a monograph of the first decade of my work, I was excited to relook at it as a book.
There are many people who have made my label what it is today, so sharing that on paper felt important.
Each chapter begins with a poetic text from Rocha, textual renderings of the same sentiments that weave her collections together, and is unpacked with interviews, essays, and photographic studies of her work.
In the end it also felt like a bit of thesis, reflecting not just on my work but on the collaborative journey of my influences and fellow creatives.
Collection
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