Junmyung Song's Stuffing Series utilizes sawdust not just as a material but as a metaphor for transformation, blending its organic warmth with the cold rigidity of metal.
By transforming sawdust into a prominent design feature, the series raises profound questions about identity and essence, blurring the lines between life and non-life.
The dialogue in Song's work emerges from the contrast of materials, challenging conventional categories such as interior versus exterior, highlighting how essence can persist through change.
In employing sawdust traditionally linked to taxidermy, the Stuffing Series symbolizes reconfiguration and a deeper narrative about what defines the essence of objects.
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