The screening of After Cease to Exist demonstrates how significantly provocative art can still challenge societal norms and provoke strong emotional reactions, showing little has changed since 1976.
Bausch Belbachir reflects that engaging with art that is 'unapologetically impolite' remains refreshing, especially in a space where art often seeks validation through virtue-based narratives.
As right-wing politicians continue to fight against contemporary art, the underlying issues remain, revealing art's powerful role in expressing dissent even fifty years later.
The film screening at Judy's Death reveals just how much impact COUM Transmissions had on contemporary perceptions of art, still igniting passionate and mixed reactions.
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