Julian Barnes' novel illustrates composer Dmitri Shostakovich’s anxiety before possible arrest under Stalin’s regime, highlighting the fear that gripped society during the purges. This historical reflection parallels Slovakia's current political landscape under populist Robert Fico, who poses threats to liberal democracy through pro-Russian sentiments and anti-EU rhetoric. Citizens are increasingly alarmed, evident from large protests demanding Fico’s resignation and a commitment to democratic values and EU membership. Drawing parallels between past and present, the article emphasizes the ongoing struggles against authoritarianism.
In his novel The Noise of Time, Julian Barnes depicts the Russian composer Dmitri Shostakovich as a man standing by a lift, at his feet a small case containing cigarettes, underwear and tooth powder; standing there and waiting to be taken away.
Power in the Soviet Union had been seized by many who were uneducated and coarse, driven by a vindictiveness amplified by the sense that they were merely taking what was rightfully theirs.
But the atmosphere today feels to me in some ways quite similar to that described in Russia 100 years ago, as Slovakia drifts away from liberal democracy.
In response, Slovaks have taken to the streets to voice their anger about the country's future, their support for Ukraine and for Slovakia's continued membership of the EU and Nato.
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