Universal Language is a film that blends Canadian and Iranian cultures, showcasing Winnipeg as an alternate version of Tehran. Filmmaker Matthew Rankin highlights the unique experience of audiences in both cities who felt the film spoke directly to them. Utilizing a whimsical and melancholic tone, the movie mirrors cultural elements from both backgrounds, showcasing a vibrant visual experience that resonates across geographic divides. Rankin's goal was to create an environment where viewers couldn't easily distinguish which city they were witnessing, embodying the connection between the two cultures.
The cohesive blend of Winnipeg and Tehran in Universal Language uniquely connects cultures, showcasing a familiar story through an unfamiliar lens that resonates deeply with audiences.
Rankin's aim for the film was to create a visual landscape so intertwined with both cities that audiences couldn't discern whether they were in Winnipeg or Tehran.
Both Winnipeggers and Tehranis experienced a sense of ownership over Universal Language, claiming it as their own despite cultural and geographic differences.
The film uses whimsy and melancholy to reflect the duality of Canadian and Iranian culture, with vibrant visuals and intricate cultural references embedded in its narrative.
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