Directed by Michel Hazanavicius, this postmodern Holocaust fairytale, which premiered at Cannes, diverges from the stark realism of similar films. Based on Jean-Claude Grumberg's novella, it features a narrative about a father's desperate choice during WWII when he throws his baby to safety, which is then discovered by a woodcutter's wife. The film's animation style parallels fantastical elements akin to the Brothers Grimm yet is underlined by serious themes of antisemitism. Additionally, it features Jean-Louis Trintignant as the narrator, who introduces complexities regarding Holocaust denial in a twist ending.
This postmodern Holocaust fairytale, directed by Michel Hazanavicius, offers a whimsical counterpoint to traditional serious narratives, introducing a unique animation style to a somber theme.
The film, adapted from Jean-Claude Grumberg's novella, portrays a harrowing decision by a father during WWII, while blending elements of fantasy reminiscent of Brothers Grimm.
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