Why and How Luca Guadagnino Shot 'Queer' Almost Entirely on a Soundstage
Briefly

"We conceived the movie not as a period drama, but as a visualization of the imagination of William S. Burroughs, and the possibility that cinema could let us to play with space as a mirror, as a box, as a canvas that could make us feel the power of the connection more."
"The connection required the power of cinema, because on the surface, the younger Allerton often acts indifferent to the older Lee. While not quite an unrequited love story, Lee struggles to read Allerton's emotions and at times wonders if he is even gay."
Read at IndieWire
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