Bi Gan's film "Resurrection" is an experimental exploration that interweaves elements of 20th-century cinema with a futuristic narrative. It begins as a silent film presenting a world where dreaming has ceased, highlighting the conflict between those known as "Fantasmas," who long for a cinematic dreamworld, and the "Big Others," tasked with restoring reality. The film pays homage to early filmmakers like Méliès and Lumière, integrating technical aspects of silent filmmaking to enhance its themes of illusion versus reality.
Bi Gan's "Resurrection" is a near-uncategorizable exploration of filmmaking practices, merging silent cinema with a futuristic narrative about dreams and reality.
The film initiates as a silent narrative showing a world where dreaming has stopped, contrasting the dream-seeking "Fantasmas" with the reality-ensuring "Big Others."
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