Here We Are Sondheim at the National Theatre

Stephen Sondheim's final musical, Here We Are, premiered at The Shed in New York to much anticipation. A collaboration with director Joe Mantello, it blends surrealism and sharp wit, drawing on Luis Bunuel's films. The first act is lively and filled with classic Sondheim flair, while the second act presents a more elusive narrative. Despite its experimental nature, the musical excels through humor and style, perfectly orchestrated by Jonathan Tunick. The National Theatre's presentation in its final season is a bold and thrilling culmination of Sondheim's legacy, featuring a superb cast and inventive direction.

Sondheim's final musical, Here We Are, is a surreal, disorienting satire exploring modern manners and privilege, premiered at The Shed, becoming a bold theatrical gem.

The first act of Here We Are offers sharp wit and classic Sondheim flair, while the second act takes a more elusive and surreal approach, showcasing Sondheim's innovation.

Despite its strangeness, Here We Are is coherent and extraordinarily funny—the music and orchestration deliver an unmistakable Sondheim shimmer, appealing to audiences' artistic sensibilities.

With Joe Mantello’s direction and Sam Pinkleton’s choreography, Here We Are captures the audience’s heart, serving as a thrilling ending to Sondheim's illustrious legacy.

Read at www.london-unattached.com