"The Brits' relocation to Manchester had the effect of adding at least a slight edge of chaos to a ceremony that's become increasingly slick in recent years, largely by dint of involving Shaun Ryder, who almost immediately enlivened proceedings by telling an anecdote about being busted for drug possession during the Brits in the 90s that ITV found it necessary to bleep out in its entirety."
"The show itself was too varied to suffer from the blandness that's cursed Brits past, offering performances ranging from Rosalia's Bjork-assisted opera/gabber hybrid to Alex Warren performing Ordinary with a smoking-jacket-clad James Blunt on piano, via the unexpected sight of Ghostface Killah dad-dancing with Dua Lipa during a medley helmed by outstanding contribution to music winner Mark Ronson."
"If the Brits primarily exists to reward commercial success and it has seldom given any indication otherwise then the results were more or less a foregone conclusion. The international categories suggested a mildly unexpected leaning towards the leftfield but otherwise things proceeded as you might have expected."
The Brit Awards adopted a strategy similar to the Mercury Prize by relocating from London to Manchester and filling the audience with music fans rather than industry figures. This change introduced an element of unpredictability to the typically polished ceremony. Shaun Ryder's involvement added spontaneity, including a heavily censored anecdote about drug possession. The performances demonstrated considerable variety, ranging from Rosalia's experimental opera-gabber fusion to unexpected collaborations like Ghostface Killah dancing with Dua Lipa. Despite the chaotic atmosphere, the award winners reflected commercial predictability, with Olivia Dean winning every category she was nominated for, reinforcing the Brits' primary function as a celebration of commercial success rather than artistic innovation.
Read at www.theguardian.com
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