Comment | The greatest failure of PST Art: its successes are not travelling
Briefly

The ambitious exhibition 'For Dear Life: Art, Medicine and Disability' at the Museum of Contemporary Art San Diego was a notable part of the Getty-funded PST Art initiative, showcasing over 80 artists whose works relate to physical pain and societal challenges. This unique display scrutinized themes including civil rights, feminism, and disability justice. Unfortunately, other selected shows have closed without national touring plans, prompting critical questions about the initiative’s actual purpose and how effectively it serves diverse audiences and encourages broader cultural tourism.
For Dear Life highlighted over 80 artists' works on art arising from physical pain, reflecting shifts in civil and disability rights, but lacked broader reach.
PST Art has sparked questions about its purpose and audience, particularly why only a small fraction of exhibitions are traveling nationally or internationally.
The emotional and intellectual impact of For Dear Life echoed a deeper inquiry into art’s role in societal issues like civil rights, feminism, and disability justice.
Frieze's inability to showcase pivotal local exhibitions raised concerns about the effectiveness of the festival model in engaging broader audiences.
Read at Theartnewspaper
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