Walter Salles, acclaimed Brazilian filmmaker, releases his first feature in 12 years titled 'I'm Still Here', telling the story of Eunice Paiva, an activist dealing with her husband’s forced disappearance during Brazil’s military dictatorship. Drawing from personal connections with the Paiva family, Salles shares a poignant narrative reflecting historical injustices while resonating with contemporary political issues. Featuring strong performances and recognized with three Oscar nominations, the film signifies a milestone for Brazilian cinema, bridging past and present as it critically engages with national identity and collective memory.
I felt invited to be part of a community... In doing the film, I tried to extend that invitation, to let the spectator be part of that community.
The film is predominantly set in the 1970s but it feels politically timely given Brazil's recent political tumult.
At the beginning, we thought the film would offer a reflection of a period that wasn't sufficiently portrayed in cinema, because we lived through 21 years of censorship.
Bringing Eunice Paiva's story to life represents more than a cinematic endeavor; it's a poignant reminder of historical truths that echo in contemporary Brazil.
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