The Dolder Grand hotel in Zurich features a hyper-realistic sculpture called The Traveler, depicting a homeless man. Created by Duane Hanson, the sculpture challenges luxury guests to confront social inequality. With hotel rooms costing over 1,000 a night, the installation raises questions about its purpose—whether as provocation or comfort. Hotel director Markus Granelli emphasizes a need to entertain guests, while referencing Hanson’s intent as a truth-teller of the American working class. The installation invites reflection on the experiences and thoughts of both guests and the depicted outsider.
The juxtaposition of a hyper-realistic sculpture of a homeless man at a luxury hotel raises questions about artistic intent and societal commentary.
The sculpture, named The Traveler, challenges guests of the Dolder Grand hotel to reflect on themes of comfort and discomfort related to socioeconomic disparities.
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