In Red Rooms, Pascal Plante navigates the unsettling realm of obsession, portraying the cultural phenomenon of parasocial relationships through the character of Kelly-Anne, who becomes obsessively infatuated with the brutal crimes of serial killer Ludovic Chevalier.
The courtroom drama aspect reveals that the real horror lies not in Chevalier himself, but in the way society idolizes and becomes invested in criminality, as depicted through Kelly-Anne's chilling fascination with his trial.
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