Vampires have been a foundational element of Gothic literature, with their popularity fluctuating over the years. They continue to be a key figure in the horror genre.
The article presents a mix of vampire movies over the past 50 years, showcasing diverse representations of vampires, including queer coding, blood lust, and humor.
Dracula's Daughter, a classic from 1936, has served as a metaphor for gay desire, appealing to queer audiences for decades, highlighting the intersection of horror and identity.
Carmilla predates Dracula, establishing the vampire's allure over female victims, which reflects a historical tension in representing lesbian relationships within the horror genre.
Collection
[
|
...
]