In 'Mad About the Boy', Bridget Jones returns as a widow, navigating single parenthood, grief, and modern dating. Unlike typical romantic comedies, where women mourn quietly before seeking new love, Bridget's journey is vibrant and messy. She embarks on a relationship with a younger man shortly after her husband's death, showcasing that recovery doesn't adhere to societal expectations. The article contrasts Bridget’s boldness with male characters, illustrating how men's grief is romanticized within the genre, while women's is seen as a hurdle. This stark difference highlights persistent societal attitudes toward gender and mourning.
Bridget swipes right on Roxster before she's finished crying, laughing through awkward sex and refusing to follow society's script about widowhood.
In most romantic comedies, women's grief is seen as a problem to solve, whereas men's grief is portrayed as part of their allure.
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