In the right hands, homage is a launchpad-less about the past than the weird, oddly familiar thing it's growing into.
Voyeur's approach to post-punk is both starry-eyed and squalid, like the strange affection a lifelong city-dweller might feel for derelict buildings.
What makes them such a jolt is how adeptly they dart between extremes, from ugly and lush to serious and slightly self-deprecating.
Take 'Big Decision,' in which a foamy-mouthed Lazovick plays frenzied incel over a fee-fi-fo-fum rhythm section.
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