Chantal highlights the significance of thorough research in editorial work, showcasing how a Nigerian postage stamp from 1961 led to exploring broader themes of colonialism through art.
Chantal reflects on the duality of aesthetic and functional success in illustrations, emphasizing that capturing a piece's thesis holds more weight than mere visual beauty.
Through her creative process, Chantal combines elements from different iterations, striving for an illustration that captivates viewers visually while also inviting deeper engagement.
Chantal's approach illustrates the valuable intersection between art and storytelling, using varied sources to examine cultural heritage and its implications on contemporary ownership.
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