In a performance set against a Hogarth painting, Lucy Dacus delves into themes of disappointment and expectation in life and love. The Foundling Museum's backdrop is poignant for her, linking to her personal history as someone raised by adoptive parents and lacking the concept of 'foundling' in American culture. Moved by the museum's mission, she expresses a desire to inspire care-experienced youth by showcasing her journey in music. With her acclaimed albums, Dacus combines folk and indie rock, articulating the highs and lows of emotional experiences.
In the shadow of a Hogarth painting, Lucy Dacus sings about disappointment, exploring how life and love can exceed or fall short of expectations.
Dacus's connection to the Foundling Museum runs deep, reflecting on her upbringing and the concept of being a foundling, which is uncommon in the US.
Visibly moved by the museum's history, Dacus expresses a desire to inspire care-experienced young people by showing them that they can achieve their dreams.
Dacus, signed to Matador at 21, has been crafting emotionally resonant music that embody themes of heartbreak, longing, and the complexities of life.
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