As this anti-minimalist fury gains traction, I'm predicting renewed interest in the ornate complexity of Edwardian and Victorian typefaces. However, while the world has already worn out certain aspects of 1960s design (notably Art Nouveau and relaxed serif styles) there remains a wealth of unexplored territory from this era ripe for rediscovery.
The impending typography landscape of 2025 signals a decisive shift away from minimalism's long-standing dominance, with momentum building toward a fascinating resurrection of 1960s psychedelic aesthetics.
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