The article explores the chair design Charu by Harry Noble M, which serves as a commentary on the historical implications of seating. Crafting a modern piece that confronts the legacy of colonialism exemplified by the planter's chair, Charu transcends functional furniture to address complex themes of power, identity, and memory. Crafted by artisans and steeped in cultural research, Charu challenges who sits where and why, inviting deeper reflection on the socio-cultural meanings behind everyday objects.
Design, at its best, is not just about making something new; it's about re-seeing what's already there.
Historically, chairs have never been neutral. They've marked status and reinforced hierarchy, from thrones to office seats.
Charu draws directly from this legacy, not to continue it, but to subvert it. Its form echoes the past, but its voice is unmistakably contemporary.
This isn't just furniture. It's storytelling through design, questioning how caste, class, and gender shape the spaces we're allowed to occupy.
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