Alison Bechdel's work, particularly in her comic strip 'Dykes to Watch Out For,' features the character Mo as both a stand-in for herself and a source of humor. Bechdel's portrayal of Mo—a flustered, socially conscious individual—reveals her flaws, making audiences laugh while reflecting on serious topics like activism and personal choices. In her latest book, 'Spent,' Bechdel blurs the lines between her real life and character, creating a narrative that continues her tradition of comedy mixed with poignant social commentary.
In her new book, Spent, Bechdel blurs the writer-character line even further, and the result is even more gratifying.
I've always been charmed by how much Bechdel is willing to let Mo be both her double and the butt of her joke.
Mo is frequently uptight about other people's choices, but her diatribes usually end with her being dressed down or hurting someone she cares about.
Dykes to Watch Out For is full of kitchen-table drama and dry humor, with the main character's anxieties often making her the butt of the joke.
Collection
[
|
...
]