Everything she said, she said twice - once in Spanish, once in English - and the on-the-spot translation required mental acrobatics.
In 'Paradise,' projected supertitles were just as divided as Blanco's brain: If a character veered to another idiom in the middle of a line, so did the supertitles.
Their politics ought to make them loathe each other. He keeps exposing techbro libertarian tendencies, while privatization makes her seethe.
In its ultra-lean hourlong run time, 'Paradise' achieves a rare feat, contextualizing the complex relationship between Puerto Rico and its exploiters.
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