Bessette was looking at like, maybe we can't live in New York City. Maybe we have to, you know, figure out a different life so that she wasn't going to be followed.
On the small screen, Wood specialises in vulnerability the kind of characters who survive life despite having a layer of skin missing. You watch in the nail-biting hope that their courage will be enough to see them through and that the people they meet will be kind. It makes sense that Film Club, Wood's first foray into writing (with Ralph Davis), is built round another variation on this theme.